Rob Myers brings together the history of conceptual art and the future of Bitcoin-style blockchain technology for what would have been a panel presentation at The White Building for V&A Digital Futures: Money No Object.
Michael Szpakowski counters critic James Elkin's demolition of Flickr as a legitimate space for art, and reveals its capacity to inspire and support new kinds of practice and appreciation via his interview with Hungarian artist, Andrea Judit Tiringer.
Randall Packer interviews three artists from the Chicago glitch community: Nick Briz, Paul Hertz, and Jon Satrom about glitChicago: An Exhibition of Chicago Glitch Art, recently shown at the Ukranian Institute of Modern Art, discussing their funky (as in Chicago blues), punk-inspired disruptions and hacked creations.
Daniel Rourke reviews works commissioned by curator Shiri Shalmy for the ongoing Data as Culture project, by artists Paolo Cirio and James Bridle, that deal explicitly with the concatenation of data. What happens when society is governed by a regime of data about data, increasingly divorced from the symbolic?
An appreciation of David Daniels, the great shape-poet, who died in May 2008. one of those figures who straddles the divide between digital and pre-digital art and literature. His art is about liberation, uninhibited outpouring, spontaneity and fun. Co-published by Furtherfield and The Hyperliterature Exchange.
From Vooks to ebooks, from the iPad to the Google settlement, and from print-on-demand to new styles of writing, Edward Picot attempts to analyse the effects of the digital revolution on the publishing industry, and to make some educated guesses about how things may develop in the next few years.
In Part Four of his series on classic Videogames and their appropriation into contemporary art. Mathias Jansson explores Pac-Man, with a selection of examples of how the game has impacted artists' work and contemporary art culture.
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