Robert Jackson reviews Nathaniel Stern's Interactive Art and Embodiment: The Implicit Body as Performance (2013): a critical framework that argues for the importance of embodiment in digital interactive art together with a constitutive philosophy of relationality, movement, materiality and process.
Rob Myers brings together the history of conceptual art and the future of Bitcoin-style blockchain technology for what would have been a panel presentation at The White Building for V&A Digital Futures: Money No Object.
Michael Szpakowski counters critic James Elkin's demolition of Flickr as a legitimate space for art, and reveals its capacity to inspire and support new kinds of practice and appreciation via his interview with Hungarian artist, Andrea Judit Tiringer.
Randall Packer interviews three artists from the Chicago glitch community: Nick Briz, Paul Hertz, and Jon Satrom about glitChicago: An Exhibition of Chicago Glitch Art, recently shown at the Ukranian Institute of Modern Art, discussing their funky (as in Chicago blues), punk-inspired disruptions and hacked creations.
An appreciation of David Daniels, the great shape-poet, who died in May 2008. one of those figures who straddles the divide between digital and pre-digital art and literature. His art is about liberation, uninhibited outpouring, spontaneity and fun. Co-published by Furtherfield and The Hyperliterature Exchange.
From Vooks to ebooks, from the iPad to the Google settlement, and from print-on-demand to new styles of writing, Edward Picot attempts to analyse the effects of the digital revolution on the publishing industry, and to make some educated guesses about how things may develop in the next few years.
In Part Four of his series on classic Videogames and their appropriation into contemporary art. Mathias Jansson explores Pac-Man, with a selection of examples of how the game has impacted artists' work and contemporary art culture.
Webizens join us to draw, make and play games for the Web We Want: to defend freedom of access and a life free from surveillance and data exploitation; to distribute knowledge and resources for the benefit of millions of people and their enduring communities.
6PM YLT is a networked, distributed, one night contemporary art event, which takes place simultaneously in different locations, coordinated from one central venue, and documented online via a web application.
Furtherfield is hosting the first UK event, chosen for its history of critical engagement with networked culture.
Furtherfield is a Not-for-Profit Company Limited by Guarantee registered in England and Wales under the Company No.7005205. Registered business address: Ballard Newman, Apex House, Grand Arcade, Tally Ho Corner, London N12 0EH.