Why was there not to be a Soviet Internet? Can the roots of today's Internet be connected to the ideologies of capitalism? Baruch Gottlieb reviews and questions Benjamin Peters’ book "How to Network a Nation".
In Power and Architecture, the post-Soviet city and utopian public space was used as a critical framework with which to discuss issues related to the Russian contemporary culture and identity. Molly Hankwitz reviews the exhibition that was presented as a sequence of four interconnected installments in Calvert 22.
An essay on waiting for the technological rapture in the church of big data. Marloes de Valk writes about the paralysing effect of hiding the human hand in software through anthropomorphising computers and dehumanising ourselves.
What does it mean to think and act as a sculptor on the net? Artist, Jan Robert Leegte has been reflecting on this question since before the invention of Web 2.0. His solo (online) exhibition at Carroll / Fletcher Onscreen is the right opportunity to discover its peculiar research.
Banks, governments, credit card companies and fintech evangelists all want us to believe a cashless future is inevitable and good. But this isn't a frictionless utopia says Brett Scott, and it's time to fight back.
The reason many people on the left are excited about proposals for a Universal Basic Income (UBI) is that it acknowledges economic inequality and its social consequences. In reality, however, UBI provides political cover for the elimination of social programs and the privatization of social services.
An appreciation of David Daniels, the great shape-poet, who died in May 2008. one of those figures who straddles the divide between digital and pre-digital art and literature. His art is about liberation, uninhibited outpouring, spontaneity and fun. Co-published by Furtherfield and The Hyperliterature Exchange.
From Vooks to ebooks, from the iPad to the Google settlement, and from print-on-demand to new styles of writing, Edward Picot attempts to analyse the effects of the digital revolution on the publishing industry, and to make some educated guesses about how things may develop in the next few years.
The New Aesthetic is a new art meme, originally defined by James Bridle as a method of collecting materials which point towards an infatuation with the agency of computing. Although it has existed in it's current form since last year, it's sudden emergence has set off plenty of scholars, writers and artists into profuse flusters. But here's the question - can the new aesthetic be more than a meme? More to the point, does it want to be? Is it capable of a direction?
In Part Four of his series on classic Videogames and their appropriation into contemporary art. Mathias Jansson explores Pac-Man, with a selection of examples of how the game has impacted artists' work and contemporary art culture.
Deep Water Web is a poetic essayistic meditation around phenomena straddling contemporary and historical geopolitical contexts of the UK and Australia; a continuous hyperlandscape, an environment composed from local manifestations of global ecologies, between points in the northern and southern hemispheres in the UK and Australia, online and in the physical space of Furtherfield Gallery.
London's Permaculture Design Course - Spring Into Action! and Design 4 A.C.T.I.O.N (Active Community Transformation In Our Neighbourhoods) are a different kind of permaculture course - positive design for your life, your community and your world by empowering the genius inside all of us!
Artist collective THEY ARE HERE invite you to play with and test software that allows wireless-enabled computers and mobile devices to directly form a spontaneous communication network independent of the internet. Across a series of drop-in sessions facilitated by THEY ARE HERE, games and experiments will be trialled as part of the development process for their forthcoming exhibition at Furtherfield in October 2016.
Networking the Unseen is the first exhibition of its kind to focus on the intersection of indigenous cultures and zeitgeist digital practices in art, bringing together concepts and experiences of remoteness and marginalised cultures, with art-making in contemporary society.
Featuring Gretta Louw, Lily Hibberd, Brook Andrew, Curtis Taylor, Jenny Fraser, Sharon Nampijinpa Anderson and the Warnayaka Art Centre.
A team from the University of Tokyo will present the work of Cyberforest, a unique trans-disciplinary research programme which has been streaming and archiving live sounds, video and other data from...
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