In Power and Architecture, the post-Soviet city and utopian public space was used as a critical framework with which to discuss issues related to the Russian contemporary culture and identity. Molly Hankwitz reviews the exhibition that was presented as a sequence of four interconnected installments in Calvert 22.
An essay on waiting for the technological rapture in the church of big data. Marloes de Valk writes about the paralysing effect of hiding the human hand in software through anthropomorphising computers and dehumanising ourselves.
What does it mean to think and act as a sculptor on the net? Artist, Jan Robert Leegte has been reflecting on this question since before the invention of Web 2.0. His solo (online) exhibition at Carroll / Fletcher Onscreen is the right opportunity to discover its peculiar research.
Banks, governments, credit card companies and fintech evangelists all want us to believe a cashless future is inevitable and good. But this isn't a frictionless utopia says Brett Scott, and it's time to fight back.
Josephine Bosma interviews Zeljko Blace on his involvement in the exhibition and program 'contesting/contexting SPORT 2016' and discusses how it contests the field of SPORT through critical art and activist practices.
Marc Garrett interviews John Jordan and Gavin Grindon about their collaborative publication, 'A Users Guide to (Demanding) the Impossible'. "This guide is not a road map or instruction manual. It’s a match struck in the dark, a homemade multi-tool to help you carve out your own path through the ruins of the present, warmed by the stories and strategies of those who took Bertolt Brecht’s words to heart: “Art is not a mirror held up to reality, but a hammer with which to shape it.”
In the lead-up to her solo show, institutions of Resolution Disputes [iRD], at Transfer Gallery, Brooklyn, Daniel Rourke caught up with Rosa Menkman over two gallons of home-brewed coffee. They talked about what the show might become, discussing a series of alternate resolutions and realities that exist parallel to our daily modes of perception.iRD is open to visitors on Saturdays at Transfer Gallery until April 18th, and will also function as host to Daniel Rourke and Morehshin Allahyari’s 3D Additivist Manifesto, on Thursday April 16th.
Despite its image of rapid technological change, progress under capitalism has stalled. Spinning ever faster is not the same as going somewhere. Contemporary Accelerationism wants to take off the brakes, and it is enlisting art's help to do so. Rob Myers attempts to speed up understanding of what Accelerationist art is and where it maybe heading.
Based on an interview with the Critical Glitch Artware Category organizers and contenders of http://www.demoparty.us/: jonCates, James Connolly, Eric Oja Pellegrino, Jon.Satrom, Nick Briz, Jake Elliott, Mark Beasley, Tamas kemenczy and Melissa Barron.
Lawrence Bird interviews Michel Bauwens, one of the foremost thinkers on the peer-to-peer phenomenon. Belgian-born and currently resident in Chiang-Mai, Thailand, he is founder of the Foundation for P2P Alternatives.
Richard Stallman, the outspoken promoter for the Free Software movement proposes that we should all leave Facebook and either find or build our own alternatives. Commodify.Us provides a platform for users to regain control over the commercial exploitation of their personal data. Marc Garret discusses the importance of such alternative hacktivist structures for social independence.
Furtherfield presents Superdiversity: Picturing Finsbury Park, an exhibition collaboration between researcher and artist Katherine Stansfeld and local people and communities in London’s Finsbury Park. The exhibition maps a multiplicity of meaning and experience of Finsbury Park in an exploration of what place and difference mean in today’s global London. Support gratefully acknowledged from Ordnance Survey, the Economic and Social Research Council, and the Royal Holloway Centre for the GeoHumanities.
Furtherfield presents Please identify yourself, a new exhibition by artist collective THEY ARE HERE, informed by their residency at Furtherfield, as well as online & offline activities across Finsbury Park.
Monsters of the Machine at laboral, Spain, is a group exhibition with a contemporary take on Mary Shelley’s Frankenstein, seeing the world through her eyes now. Shelley’s classic, gothic horror and science fiction novel, has inspired millions since it was written 200 years ago in 1816, and then published anonymously in London in 1818.
London's Permaculture Design Course - Spring Into Action! and Design 4 A.C.T.I.O.N (Active Community Transformation In Our Neighbourhoods) are a different kind of permaculture course - positive design for your life, your community and your world by empowering the genius inside all of us!
When traditional systems become obsolete, they evolve into the facilitator of their own crash. The initial position of the nine debuting artists is the shift- and notions of values within the current...
The Internet hosts an increasing number of artistic works that reflect the phenomenon of sound, but how can the features of a social platform such as Twitter be used to establish a discourse centered...
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