What is the relationship between state corruption and economic collapse in Greece? Lina Theodorou, artist and creator of the board game 'Pawnshop', talks with Furtherfield’s Ruth Catlow about Grexit, Brexit, and crisis in Europe.
This is a review of Leila Johnston's residency at the Rambert Dance company from October 2015 - 2016 and the report she produced as a result. It looks at the value Leila brought by engaging the company with her critical perspectives about tech culture, as much as by introducing the dancers to 'tools'.
The reason many people on the left are excited about proposals for a Universal Basic Income (UBI) is that it acknowledges economic inequality and its social consequences. In reality, however, UBI provides political cover for the elimination of social programs and the privatization of social services.
The Xenofeminist Manifesto, published in 2015 by the Laboria Cuboniks collective, is one of the most provocative and elaborate current examples of techno-feminism that is, once again, on the ascent. What drives this resurrected hype and what is new about it, 30 years after the emergence of cyberfeminism? Furtherfield invited Laboria Cuboniks to engage into a conversation with artists Cornelia Sollfrank and Rachel Baker.
For more than two decades, Italian artist duo Eva and Franco Mattes have sought to subvert and expose the systems which produce power. Their current exhibition, Abuse Standards Violations at Carroll/Fletcher gallery, looks at who and what is made visible and invisible in the process of producing culture for online consumption.
In this special feature Steve Jampijimpa Patrick writes about "YAMA" the Warlpiri word for a shadow, or reflection. A word that signifies the nature of existence in Australian Aboriginal Culture, YAMA is also the name given to the multimedia installation made by artists from the Warnayaka Arts Centre with Napanangka (Gretta Louw) for the Networking the Unseen exhibition at Furtherfield Gallery.
The first of a brand new series of Mathias Jansson's study of Videogame Appropriation in Contemporary Art. This article explores the videogame Tomb Raider and Lara Croft, using Anne-Marie Schleiner's question as it's central theme, "Does Lara Croft Wear Fake Polygons?" asked in a gender analyse essay published in 2000 in the Switch magazine. Including examples of works by artists who have appropriated, intervened, hacked and critiqued this popular videogame character.
The Freesound Project is a web repository of audio samples available under the Creative Commons Sampling Plus licence. It concentrates on sound rather than music, and has a wide variety of samples accessible through an easily navigated interface.
Even if digital art is still in its infancy, it flourishes while essentially remaining unevaluated and the public approaches it with a degree of curiosity. New art forms in the immaterial digital domain demand a general rethink in terms of their conservation, presentation and acquisition.
Raquel Rennó writes about the Festival Cultura Digital, which took place in Rio de Janeiro, Brazil - between the 2nd and the 4th of December 2011. It gathered 6 thousand people in about 20 open discussions, 20 workshops and 52 international and national projects, bringing together political institutions, artists, companies, activists and intellectuals in a hybrid format. The main goal was to change and broaden the limits of digital practices and connect to other people and networks from other cities, states and countries.
Taina Bucher interviews Julian Oliver, the Berlin-based media artist and programmer at the Subtle Technologies festival in Toronto. Where he taught a workshop on the Network as Material. The aim of the workshop reflects Oliver’s artistic and pedagogical philosophy nicely; to not only make people aware of the hidden technical infrastructures of everyday life but also to provide people with tools to interrogate these constructed and governed public spaces.
Furtherfield presents Superdiversity: Picturing Finsbury Park, an exhibition collaboration between researcher and artist Katherine Stansfeld and local people and communities in London’s Finsbury Park. The exhibition maps a multiplicity of meaning and experience of Finsbury Park in an exploration of what place and difference mean in today’s global London. Support gratefully acknowledged from Ordnance Survey, the Economic and Social Research Council, and the Royal Holloway Centre for the GeoHumanities.
Furtherfield presents Please identify yourself, a new exhibition by artist collective THEY ARE HERE, informed by their residency at Furtherfield, as well as online & offline activities across Finsbury Park.
Monsters of the Machine at laboral, Spain, is a group exhibition with a contemporary take on Mary Shelley’s Frankenstein, seeing the world through her eyes now. Shelley’s classic, gothic horror and science fiction novel, has inspired millions since it was written 200 years ago in 1816, and then published anonymously in London in 1818.
London's Permaculture Design Course - Spring Into Action! and Design 4 A.C.T.I.O.N (Active Community Transformation In Our Neighbourhoods) are a different kind of permaculture course - positive design for your life, your community and your world by empowering the genius inside all of us!
When traditional systems become obsolete, they evolve into the facilitator of their own crash. The initial position of the nine debuting artists is the shift- and notions of values within the current...
The Internet hosts an increasing number of artistic works that reflect the phenomenon of sound, but how can the features of a social platform such as Twitter be used to establish a discourse centered...
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