This strangely emotional work weaves finely tuned aesthetic formalism with polemic. Unusually for Internet based media work, after an initial cascade of data, the piece unfolds at an intensely slow pace.
Recent work by Pall Thayer, a live audio stream generated via a series of responsive visual interfaces to PANSE (Public Access Network Sound Engine) - an open platform for development of audio-visual net art.
Medrano says she doesn't know what kind of chemical she splashed on her face, nor was she warned about the product or its potential danger and such perilous oversights are all too common in the industry. Injuries related to chemical exposures such as Medrano's range from skin irritation and burns to allergic reactions.
Camille writes about her interests, explorations in Database video art, Performance Video, Live Cinema + VJing and has been investigating live or performance video. both as an artist/producer and as a curator.
To say that Joy Garnett's Bomb Project is monumental would be an understatement. To say that it's a necessary reminder of the power unleashed at the end of World War II, and of the power the whole world cringed under during the Cold War--that would be more like it.
Using Myspace as an interactive platform, Tobecontinued is based on the concepts of open art-work, cause and/vs effect, and free association of ideas; where the last art-work is always inspired to the previous one, in order to generate an open art-work in continuous evolution that never completes itself...
Focusing on sound & experimental music by five invited Swedish composers working within the experimental & electronic music. They will for the nonTVTVstation make one shorter project each...we want to set a focus on sound and experimental music by inviting five Swedish composers working within the experimental and electronic music.
Furtherfield presents Please identify yourself, a new exhibition by artist collective THEY ARE HERE, informed by their residency at Furtherfield, as well as online & offline activities across Finsbury Park.
Furtherfield Presents Offline Is The New Luxury, an exhibition by Alison Ballard. It is a collection of works exploring our relationship with technology and the Internet. When daily encounters are increasingly mediated by online technology, how is this affecting our experience of live-ness, presence, and time?
Re: development – Inside The Green Backyard is a collaborative, networked, online exhibition, which celebrates the success of The Green Backyard's campaign to safeguard land. The exhibition features cyanotypes (camera-less photographs of objects from the site) and voice recordings (oral testimonies by the volunteers) from Jessie Brennan's work Inside The Green Backyard (Opportunity Area), 2015–16, an outcome of Jessie's year-long residency with The Green Backyard and arts organisation Metal. More about Jessie's residency project can be found here in an article she wrote for the Guardian.
Furtherfield presents Superdiversity: Picturing Finsbury Park, an exhibition collaboration between researcher and artist Katherine Stansfeld and local people and communities in London’s Finsbury Park. The exhibition maps a multiplicity of meaning and experience of Finsbury Park in an exploration of what place and difference mean in today’s global London. Support gratefully acknowledged from Ordnance Survey, the Economic and Social Research Council, and the Royal Holloway Centre for the GeoHumanities.
The Games for Cities programme is hosting the first international conference with leading ‘city-game’ design experts from around the world. Games for Cities is an initiative started by Play the City...
Furtherfield is a Not-for-Profit Company Limited by Guarantee registered in England and Wales under the Company No.7005205. Registered business address: Ballard Newman, Apex House, Grand Arcade, Tally Ho Corner, London N12 0EH.