Ben Valentine contrasts the implications of his couchsurfing present with the precarious and monetized future of the ideal home in his review of Space Caviar's book of commissioned essays SQM: The Quantified Home.
Rob Myers takes a look at how we can subvert the operation of the algorithms that the Digital Humanities, corporations and governments use to read, see, and draw conclusions about human expression by treating them as the true audience for contemporary art and literature.
Brett Scott examines the politics of the Bitcoin Blockchain and whether there will be a place for equality and democracy, as the power systems already in place begin to reshape new digital economies according to their own intentions.
Rob Myers brings together the history of conceptual art and the future of Bitcoin-style blockchain technology for what would have been a panel presentation at The White Building for V&A Digital Futures: Money No Object.
Marco examines the issues around Google breeding the next generation of digital artists, as shown in their recent venture with their infamous DevArt exhibition at the Barbican in London. There has been an intense debate in the past weeks on what this powerful curatorial and marketing move by Google actually means.
With sculptures that sell themselves on eBay and cryptocurrencies for owning GIF images, art is already in the era of smart contracts. It's time to use the same technology to solve the crisis of art cirticism. Are you ready for the Accelerationist future of critique on the blockchain?
Marc Garrett writes about Mary Shelley’s Frankenstein and looks at science and technological determinism, and humanity’s bond with digital media and social networks. It includes human-machine relations, cyborgs, theories in cyber-culture, classical and SF literature and contemporary art practices across the fields of media art, hacktivism, activism, feminism and cyberpunk.
First of 6 articles as part of the Piratbyrån and Friends exhibition at Furtherfield. Mariana Delgado Coordinator of El Proyecto Sonidero (Mexico), writes about the Polymarchs posters (1980-1990) by Jaime Ruelas. Translation by Tess Wheelwright.
Building on science fiction author Charles Stross's vision of a future of weaponized eBooks, Rob Myers considers how artists can use the strategies of malware to make art that really grabs the attention of the public and the market, and how much it will cost to make.
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