That Ends That Matter is a three-channel video installation by Jean-Paul Kelly exploring the lack of transparency elucidating a direct relationship between physical materiality and subjective perception of each individual. Kelly regularly attended the City of London Magistrate’s court in Central London as a visitor for eight weeks, recollecting a process whereby documentation is strictly prohibited.
Filippo Lorenzin interviews Nicolas Sassoon, a Vancouver-based artist making use of early computer imaging processes to render fantastical visions of architectures, landscapes and domestic environments. His latest work, INDEX, has been presented on the homepage of Rhizome in the first weeks of October.
"The fuzzy saboteur situates he/rself in the in-between—in the areas that have not yet been fully regulated. This situational strategy was very well developed by Brian Springer in his backhaul video...
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