Jess Williams is an Australian writer and PhD researcher who reviews for Furtherfield. She is interested in networked art practices, primarily those which implicate a humanistic locus of participation, mediation and exchange. https://jlogos.net/ https://twitter.com/JLog0s
Edwina Bartlem’s article Reshaping Spectatorship: Immersive and Distributed Aesthetics proposes that immersive artwork practices have transformative potential. In this interview, her proposition is leveraged as a frame and axis of dialogue with Australian artist Rachel Feery to discuss her multi-sensory immersive work, Clearing the Cloud.
The Games for Cities programme is hosting the first international conference with leading ‘city-game’ design experts from around the world. Games for Cities is an initiative started by Play the City...
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